Monday, May 29, 2017

Trapper Schoepp Creates Universal Rock Sound on The Bay Beach Amusement Park EP

Is there anything more helplessly romantic than a classic amusement park?  Settled on the banks of the Fox River as it flows into Green Bay, Bay Beach has entertained guests for 125 years.  Its scenic location coupled with the amusement park’s commitment to making itself both a picturesque and affordable attraction has garnered it a reputation as a true Wisconsin classic. Vintage concessions of ruby red and bright blue sno cones, Good Humor ice cream bars and yummy, scrumptious popcorn are sold at throw back prices to pair with the wide array of classic rides that dot the landscape of Bay Beach.  If you haven’t been to Bay Beach, you need to go, and if you have been there, you know what the buzz is about.

Simply put, there is something special about Bay Beach… a magical place that provides fun for patrons of all ages.  The thrill of riding The Zippin Pippin is exhilaratingly universal, as I recall riding Elvis Presley's favorite roller coaster two summers ago with my father-in-law, a man in his 70’s.  Both he, myself (a man in his late 30’s) and the pre-teen in the car behind is all smiled with delight like the Cheshire Cat from Alice in Wonderland upon the ride’s conclusion.  Few things can garner such a universal reaction as the thrill of a good roller coaster.  

If there was anyone to use Bay Beach as a backdrop for a record, that person would have to be Trapper Schoepp.  Schoepp is a master storyteller, and his passion for local lore, history, and his home state of Wisconsin is evident on his new 6-song EP Bay Beach Amusement Park,  set for release this Friday, June 2nd, and celebrated with a concert at Anodyne Coffee in Walker’s Point with the superb veteran Missouri-based Americana rockers Ha Ha Tonka opening the show.  

“My first ride was a total thrill,” Schoepp stated when referring to his maiden voyage on The Zippin Pippin.  “I got right back in line wanting to set lyrics to the rhythm of the roller coaster.  It reminded me of the innocence of childhood and the great escape a ride can give you.”


Schoepp's keen observations of human behavior allow him to craft stories that draw his listeners into the hearts of his characters.  This is clearly seen on the first single off of the EP Bay Beach Amusement Park, “Bumper Cars,” where Schoepp recalls the classic thrill of being able to choose who you hit, not who hits you, with a barrage of clever comparisons between riding the bumper cars and confronting social  groups with stark differences. Who else could incorporate opposite groups like the Jedi and the Sith, the Hatfields and the McCoys, and even Jerry Seinfeld and his postal service nemesis, Neumann, other than the always clever, Trapper Schoepp?

“In a world of derivatives, Bay Beach is an original,” Schoepp stated.  “It’s a happy place for me to return to both in song and in real life.”

Schoepp's classic rock swagger, fantastic stage presence, and ability to relate to fans from age 2 to age 100 makes him a truly unique, charismatic and special performer.  

Monday, May 8, 2017

Joseph Huber with Al Scorch- Anodyne Coffee Roasters- 5/5/17

photo by Will Piper
Joseph Huber in so many ways embodies the positive spirit of Milwaukee as a man who knows the special quality of making his home in "The Good Land."  He's a songwriter who pens his tunes from the vantage point of a keen observer.  He writes from the perspective of a working man.  He is inherently humble and promotes the work of others' more so than bask in compliments of his own.

Huber sat onstage before a packed-to-the-roasted-coffee-smelling-rafters at Anodyne Coffee this past Friday with patched jeans, a flannel shirt and a grin spanning from ear-to-ear. His longtime band mates and collaborators Jason Loveall (on fiddle) to his right and Eston Bennett (on upright bass) to his left, were by his side and a single bottle of Miller High Life sat beside him.  A multi-instrumental virtuoso, Huber strapped a bass drum peddle to one foot, to use to bang against a suitcase behind him, and a tambourine to the other foot, to help enhance the rhythm of his tunes.

artwork created 5/5/17 by Danny Duffy
Huber's show was raw and riveting-- all about the substance of the tunes and the way that they bring people together.  Looking around, you'd be hard-pressed to find more of a smorgasbord of people from all walks of life in Milwaukee in attendance, smiling along with their ol' pal Joe and his band mates.  The universal appeal of his music in essence makes Joseph Huber both uniquely Milwaukee, and uniquely great as a top-notch Americana artist.

As the album release show for Huber's fourth record, The Suffering Stage, Huber approached brand new material with the warmth and grace of an old friend seated around a campfire with his buddies playing some tunes.  It's in this ubiquitous joy where Huber excels as an artist.  The set featured all 8 tracks off of The Suffering Stage, and opened with "Playground/Battlefield" which featured soaring fiddle riffs from Jason Loveall, who was as dialed in as I've ever seen him perform.  Likewise, upright bassist Eston Bennett, delivered the thumping pulse which propelled "Sons of the Wondering," giving it a well-worn feel for a brand new track. "16-10" is perhaps the most fun and uptempo track off of The Suffering Stage, and got the crowd jamming and dancing into a frenzy thanks the fast picking by Huber and the boys, and Loveall's "blow the roof off of the barn" jams. Moreover, the title track, "The Suffering Stage" was debuted with Joseph Huber and his full band last Friday. This epic track, which serves as the thematic anchor to the record, clocks in at over seven minutes and channels 1970''s Desire-era Bob Dylan lyrically, received enhanced treatment by Huber's band mates.  Huber dropped long-time fan-favorite "The Hanging Road" in the set before launching into the final two tracks from The Suffering Stage, the soulful ballad "Sea of Night" and the beautifully reflective country rock catharsis "Souls Without Maps."  To say the new material was well-received by the sold-out Anodyne crowd was an understatement as the crowd eagerly enjoyed each new track.   It is perhaps his intimacy in songwriting that make Huber's work stand out as extraordinary amongst his Americana contemporaries.  
photo by Will Piper

Opening for Joseph Huber was Al Scorch, a songwriter and  banjo player who delivered a one-man-band performance with ragged fury.  Scorch featured a lot of material from his most recent release, 2016's Circle Round the Signs.  Socrch is a riveting performer who delivered some great picking and showcased the some licks on the banjo I've never seen before.  His good humor and warm demeanor paired well the Joseph Huber's hometown crowd and made Scorch a fun and solid support act for the evening.

photo by Will Piper

Setlist (thanks to Joseph Huber):
Playground/Battlefied
Sons of the Wandering
16-10
Drop in the Bucket
An Old Mountain Tune
Diminished Things
You Showed Me
Comin' Down From You
Working Man Blues (Merle Haggard Cover)
Iron Rail
The Suffering Stage
The Hanging Road
Sea of Night
Souls Without Maps
Dance Around the Daggers

Encore:
Tongues of Fire
Shovel on Your Shoulder