photo courtesy of Jack White; photo by David James Swanson |
It wasn't until White's 2012 Blunderbuss record came out that I really started to get into White's rich repertoire of music. Blunderbuss was my album of the year for 2012 and remains a record I frequently play. One could argue that there is no current active touring artist who has a bigger catalog of music to draw from than Jack White. From the White Stripes, to the Raconteurs, to the Dead Weather to solo material, White covers a lot of musical ground and genres. While I might be somewhat of a late comer to the Jack White party, White's reputation of being one of the best showmen and active songwriters preceded him. Bluntly stated, the guy oozes talent, and from his lyrics and vocals, to guitar work and accompanying arrangements, he has established himself as a pioneering force in modern rock 'n roll.
For that reason, I joined the 3,500 plus huddled sweaty masses in the Eagles Ballroom on the warmest night of the summer to experience the pomp and pageantry White and his band had to offer on their current tour in support of White's second solo record, Lazaretto.
White created quite the anticipation for his performance by closing a light blue curtain over the stage between New Orleans singer-songwriter Benjamin Booker's set and White's. Stage hands, dressed like early 1900's mobsters in coordinated outfits, hurried and scurried in front and behind the stage to make sure everything was ready. At one point about 15 minutes prior to show time, one of the stage hands came out and reminded the capacity crowd to take care of each other on a hot night in the Eagles Ballroom and that, "this is a big rock 'n roll show, much bigger than the size of your cell phone screen," encouraging fans to enjoy the show without feeling the need to record video or pics, which White's hired photographer would do for everyone and post to the Jack White website for free. Remarkably, the majority of the crowd complied, and very few folks tried to capture the show on their phones. To be honest, this was quite refreshing to see, and I kept my phone in my pocket (aside from checking the Brewers score, which, knowing me is to be expected).
photo courtesy of Jack White; photo by David James Swanson |
photo courtesy of Jack White; photo by David James Swanson |
White played a six song encore which sent the crowd home happy with rousing renditions of the classic White Stripes song, "Fell In Love with a Girl," and the Raconteurs' rousing hit, "Steady As She Goes." Perhaps White's most buzzworthy move of the evening was covering a portion of Lorde's hit "Royals" which he flowed into"Suzy Lee," a deeper White Stripes cut. White's most famous track, the football stadium anthem, "Seven Nation Army," predictably ended the show on a high note.
White is a true rock 'n roll showman, whose crazed frenzy helps shape his music and create a memorable performance for his fans fortunate enough to catch this relatively intimate performance from an artist who is now headlining festivals. While this was not a "show of the year" performance in my book, it was a very good rock 'n roll concert by an artist who is at the top of his game.
photo courtesy of Jack White; photo by David James Swanson |
Setlist courtesy of Setlist.fm
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(The White Stripes song)
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(The White Stripes song)
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(The White Stripes song)
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(The White Stripes song)
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(Hank Williams cover)
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(The Dead Weather song)
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(The Raconteurs song)
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- Encore:
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(The White Stripes song)
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(The Raconteurs song)
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(Lorde cover) (Tease)
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(The White Stripes song)
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(The White Stripes song)
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(The White Stripes song)
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(The White Stripes song)
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