Thursday, August 7, 2014

PHOX- Turner Hall Ballroom, 8/6/14

copyright Sara Bill Photography
The Turner Hall Ballroom was at full to the gills for the highly anticipated Milwaukee headlining performance by PHOX, a six-piece indie pop band hailing from Madison and Baraboo, Wisconsin. PHOX is finishing up their first national headlining tour, performing to mostly sold out crowds across the country.  I had seen PHOX perform once before, opening for Blitzen Trapper, and was eager to see how they would handle both a headlining show, as well as one with a largely local, rabid fan base.

The focus of the band is Monica Martin, the soulful vocalist with a throw back style whose range and diversity can be described in one word--  impressive. Drawing largely from their 2014 debut self-titled release, Martin showcased her sultry sound especially well on "Leisure," which sounded like it could have easily been performed in a lounge setting several decades earlier.  "1936" was another example of her vocal prowess.  However, while Martin is the center of the band, PHOX is truly a collaborative group of talented and eclectic musicians who provide much of the uniqueness to this act.  "Noble Heart," for instance featured their guitarist, donned in a pink suit coat, performing a David Gilmore-esque guitar solo (with passion), only to drop the axe in favor of a horn to finish out the track.  These are the sort of arrangements that are seamless for PHOX and have garnered them so much national attention.  By far, the highlight of the concert was "Slow Motion," the band's single which gets considerable radio airplay on 88.9 Radio Milwaukee and which drew me to the act in the first place.  This song is a true hit and will make by best-of-the-year list for sure.
copyright Sara Bill Photography


Opening for PHOX were two solo singer songwriter acts: J.E. Sunde and Rae Cassidy.   J.E. Sunde was clearly a close friend of PHOX and performed a duet with Martin during the end of the band's set.  His style is reminiscent of Cat Stevens meets Colin Melloy.  A memorable moment of his set was announcing to the capacity crowd that, "the next song is about building a fence, inspired by building a fence."  I am not sure if this was meant to be funny or not, but it stood out as interesting banter nonetheless.  The cavernous ballroom might not have been the best setting for this act, who I could see doing better at a coffeehouse or more intimate venue.
copyright Sara Bill Photography

One could easily argue that the first act, Rae Cassidy, stole the show last evening.  I first caught Cassidy when she was performing with San Fermin.  She has since struck out on her own as a solo artist, and debuted a number of new tracks which featured just her with electronic mixes and back beats.  I am not often a fan of acts who perform over tracks, but the richness of Cassidy's vocal range and her pure energy on stage made her act interesting and engaging.  Paired with the right group of backing musicians, Cassidy could easily emerge as a rising star coming out of Milwaukee, much like how PHOX rose out of the Madison music scene.  The best is yet to come for all of the bands on the bill at Turner Hall last night.





Saturday, August 2, 2014

St. Paul and the Broken Bones- Cedarburg Summer Sounds @ Cedar Creek Park 8/1/14

photo by Steven Bloom
Situated on the banks of the scenic Cedar Creek, Cedarburg's annual "Summer Sounds" concert series has quickly drawn acclaim for its diverse bookings and has become a destination for music fans  from the north shore suburbs on Friday evenings.  After playing to capacity crowds at Club Garabaldi and Shank Hall over the past year, Summer Sounds happened to land one of the fastest rising bands in the country, St. Paul and the Broken Bones, to perform to a large crowd of folks ranging in age from 1 to about 90.  During their hour and a half set, they managed to engage just about everyone and put on a performance that will rank among the best concerts I've seen this year.  I was thoroughly entertained, and looking around at the crowd, mostly seated in lawn chairs for the majority of the set, it was clear that everyone had a smile on their face.  How could you not?

Put simply, St. Paul and the Broken Bones make joyful music.  Hailing from Birmingham, Alabama, St. Paul and the Broken Bones are a relatively new band, being together for just two years, and consisting of seven musicians, guitar, bass, drums, keyboard/organ, and a dynamic three piece horn section.  The main showman in the band, however, is vocalist Paul Janeway, whose incredible vocal range and energetic showmanship was nothing short of thrilling to listen to and watch live.

The band's set drew heavily from their debut release, Half the City. After the instrumental, "Chicken Pox" opened the show, Janeway took the stage to "Don't Mean A Thing," which featured his rich crooning.  The band peppered a few covers into the set, including Sam Cooke's "Shake" which got the crowd on its feat to boogey.  The funkified version of Wilson Pickett's "Ninety-Nine and a Half" was another well-placed cover.  The clear inspiration for Janeway and the band, however, was the great Otis Redding, whom St. Paul and the Broken Bones covered not once, but twice for, "Down in the Valley" as well as "Try a Little Tenderness" (which concluded the performance).

photo by Steven Bloom
Covers aside, it was the band's original work that engaged the audience the most.  My personal favorite track off of Half the City, "Like A Mighty River," showcased the rhythm and blues swing of the group, as well as Janeway's deep range and lyrics.  In addition, "Call Me," which was performed toward the end of the set, was another naturally rocking energizing tune.

For an encore, St. Paul and the Broken bones busted out "Let Me Roll It," a Wings cover in honor of going to see Paul McCartney in the Twin Cities on Saturday night, along with "Try a Little Tenderness."

It is hard to find bands that can engage a crowd of all ages and appeal to folks who like all different types of music, but St. Paul and the Broken Bones proved to be one of those unique acts.  I dare you to find a more entertaining group on tour right now.  There is a good reason why St. Paul and the Broken Bones are selling out shows across the country- they are masterful entertainers who have a bright future in music.

Setlist:
Chicken Pox,
Don't Mean A Thing
Sugar Dyed Honey Pants
Dixie Rothko
I'm Torn Up
Shake (Sam Cooke Cover)
Half the City
The Glow
Broken Bones and Pocket Change
Ninety-Nine and a Half
Like a Mighty River
Let it be So
Like A Mighty River
Down in the Valley (Otis Redding Cover)
It's Midnight
Call Me
Grass is Greener
Make it Rain

Encore:
Let Me Roll It (Paul McCartney and Wings Cover)
Try a Little Tenderness (Otis Redding Cover)

me and Paul Janeway after the show