Friday, June 17, 2016

Hayes Carll- The Backroom @ Collectivo Coffee, 6/16/16

photo by Will Piper
Hayes Carll filled the Backroom of Collectivo to capacity for an intimate evening of stories and songs.  The tall, lanky Texas song smith recently released his fifth album, Lovers and Leavers this past April, an album that in many ways showcases a more introspective view of the world from Carll.




Hayes Carll is a keen observer of people and the quirky uniqueness of the human experience.  He is known as a songwriter who tells vivid stories anchored in details that transport the listener into the lives of his characters.  During his ninety minute set, Carll's songs ran the gamut.  He juxtaposed earlier works from 2008's excellent Trouble In Mind release, with songs from 2011's KMAG YOYO record, and his latest work, and even found time to throw in the Corb Lund cover, "Bible on the Dash."


photo by Will Piper
Few artists cover the expansive range of topics and emotions in their songwriting as well as Carll.  Some of my favorite moments in the evening came from songs that topically live in very different places.  "Magic Kid," a new song off of Lovers and Leavers translated fantastically live with subtle nuanced percussion as Carll told the story of his young son who enjoys doing magic tricks.  Another highlight was the awkward narrative between "Katie" and "Billy" in "Girl Downtown."  A playful duet with opener Emily Gimble on "Another Like You," was also very well-done.  A more subdued version of "Bad Liver and a Broken Heart" closed the show and left Carll with a rousing standing ovation.

It is the richness and diversity of his writing that makes Carll's songs so accessible to such a wide audience.  Hayes Carll is an evolving artist, not one who tries to root his craft in one particular time and place.

selfie with the man

  1. Setlist from Setlist.fm
    Play Video
  2. Play Video
  3. Play Video
  4. Play Video
  5. Play Video
  6. Play Video
  7. (Corb Lund cover)
    Play Video
  8. Play Video
  9. Play Video
  10. Play Video
  11. Play Video
  12. Play Video
  13. Play Video
  14. Play Video
  15. Play Video
  16. Play Video
  17. Play Video

Tuesday, June 7, 2016

The Staves- Club Garibaldi, 6/5/16


photo by Will Piper
Simply put, I could listen to sisters Emily, Jessica, and Camilla Stavely-Taylor sing all day.  The Watford, Hertordshire England trio, known as The Staves, produce some of the best three part vocal harmonies I've ever heard. Etherial, enchanting, moving and joyful are all words that come to mind when describing The Staves' music.  The folk trio's sound was literally goose-bump inducing for the 150 or so folks who made it to Club Garibaldi on a Sunday evening.  The crowd was extremely polite and respectful of the band, as the fans soaked in the harmonies that swelled in the room.  For a band that is destined to play bigger venues in town, this was a special treat to see them in such an intimate setting.

The Staves have developed a reputation for their performance by gaining the attention of Eaux Claires founder and Bon Iver frontman, Justin Vernon.  In fact, at last year's Eaux Claires festival where I discovered The Staves, they played almost the entire set with Bon Iver, and are slated to do likewise again this summer.  Vernon also produced their excellent 2015 release If I Was.   

Their Club Garibaldi  set featured work from their latest EP, Sleeping In A Car, alongside a large amount of tunes from If I Was, and 2012's Dead & Born & Grown album.  Alongside the beautiful vocals, The Staves have a knack for incorporating vivd imagery into their lyrics and telling tales rooted in the simple complexities of the human experience.  Vocals aside, these sisters are darn fine songwriters to boot.

photo by Will Piper
Setlist:
Hopeless
Blood I Bled
Sleeping In A Car
Black & White
No Me No You No More
Let Me Down
Steady
Roses
Damn It All
Facing West
Mexico
Outlaw
Make It Holy
Winter Trees
Tired
Teeth White

Sunday, June 5, 2016

Sturgill Simpson- Riverside Theater 6/4/16

photo courtesy of Gigshots by Stephen Bloch
If you thought that Sturgill Simpson was simply a revivalist outlaw country artist, after last night's performance at the full-to-the-gills Riverside Theater, you will have to think again.  Simpson performed a riveting two hour set of music which consisted of old material, covers, and a front-to-back performance of his latest record and masterpiece,A Sailor's Guide to Earth.

Simpson was joined on this tour with a three piece horn section which literally rocked the socks off of the Riverside Theater crowd.  To quote concert attendee, Jeremiah Weber, "Sturgill rocked my socks off.. I mean have you seen my socks?  Can't find 'em after the show and my feet are getting smelly."  All kidding aside, this was a performance the likes of which I have never seen from Simpson (who I had the pleasure of seeing both on his last stop in town at the Turner Hall Ballroom, as well as at the Eaux Claires festival last summer).

photo courtesy of Gigshots by Stephen Bloch
The bright timbres of the trumpet, trombone and saxophone Metamodern Sounds of Modern Country turned from a honky tonk standard to a juke joint rhythm and blues blow out.  Likewise, "Life of Sin's" uptempo rhythms were brought to life even further with the funk of the horns.   Laur "Little Joe" Joamets added rich layers of sounds with his superb work on slide guitar throughout the evening as well.  Often times he's as entertaining and enjoyable to watch as Simpson himself.
paired with Simpson's deep vocal range to create a rich flavor to songs, both old and new.  Older tunes like "Long White Line" off of 2014's

The true gem of the evening, however, was the second portion of the concert which focused on Simpson performing his A Sailor's Guide to Earth record, which he wrote for his young son, in it's entirety.  A Sailor's Guide to Earth contains some of Simpson's finest songwriting and performing to date and outstanding album tracks like "Keep it Between the Lines," "Brace for the Impact (Live A Little)" and "In Bloom," (an innovative cover of the Nirvana classic) were simply stellar when performed live.  Simpson needs to release a live record from this tour, as the arrangements and performances are exceptional, as we witnessed at the Riverside Theater on Saturday.  There is good reason my good friend and photographer Stephen Bloch says, "Run, don't walk, to the Sturgill Simpson show near you."  This is a tour and act you do not want to miss.
photo courtesy of Gigshots by Stephen Bloch
SET LIST  (courtesy of JSonline.com)
Sitting Here Without You
Water in a Well
Long White Line (Buford Abner cover)
When the Levee Breaks (Memphis Minnie and Kansas Joe McCoy cover)
I Never Go Around Mirrors (Lefty Frizzell cover)
Some Days
Time After All
Railroad of Sin
Living the Dream
Life of Sin
You Don't Miss Your Water (William Bell cover)
Voices
Just Let Go
A Little Light
The Promise (When in Rome cover)
Turtles (All the Way Down)
It Ain't All Flowers
From "A Sailor's Guide to Earth":
Welcome to Earth (Pollywog)
Breakers Roar
Keep It Between the Lines
Sea Stories
In Bloom (Nirvana cover)
Brace for Impact (Live a Little)
All Around You
Oh Sarah
Call to Arms

Saturday, June 4, 2016

Get to Know Riverbug

Riverbug is a musical onion.  The more you peel away the layers, the more you discover and appreciate the true beauty of this project.  The deeper you dig, the more you admire and grapple with Riverbug’s complex simplicity and ultimately perplexing grandeur.  

Riverbug is a project arranged by virtuoso musician Luke Rivard, who recently graduated from Lawrence University.  While difficult to classify, I suppose Riverbug would fall under the “indie/progressive folk” moniker, and draws influence and comparison from acts like Bon Iver, S.Carey, San Fermin, Elephant Revival, and even Radiohead .

However, there are way too many sonic layers here to pigeon hole this project into any one genre.  Feelings of loss, confusion, and pain are all there juxtaposed amidst  feelings of joy, renewal, and spiritual elevation.  For a debut release, Riverbug is a project that showcases brilliant musicianship from artists well beyond their ages.

The five tracks on this EP take the listener on a roller-coaster ride of emotions and feelings, with the percussion arrangements serving as the primary tellers of the story… a trait that is rarely seen in indie folk music.  Joining the brilliantly talented Rivard are Lian Blanck (guitar), Meri Bobber (vocals), Tim Carrigg (keyboards), Joe Connor (saxophone), Henry Geraghty (vocals), Jakob Heinemann (bass guitar), and Dan Reifsteck (drums and percussion).  

Riverbug's biggest gift to its listeners are the layers upon layers of subtle sonic nuances, showcasing a remarkably advanced and mature sound for a young band.  I would highly recommend that you give the EP several listens.  The haunting beauty of Riverbug amazes and grows with you time after time and showcases an incredibly bright future for the multi-talented Rivard and his crew

Check out Riverbug here:  Trust me, you'll be glad that you did.