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A very good album, however, does not necessarily make an exceptional live act. In the case with Foxygen, they have earned a reputation, in a very short amount of time, for their erratic stage presence, inner-band fighting and bickering while performing. If this is all a big act, it's working well, as a simple Google search of "Foxygen" will draw you to a plethora of articles and blogs about the band and its inner workings (or lack thereof) without much mention of its music itself. In fact, one musician, Elizabeth Fey, who sings on the band's most played track, "San Francisco," is no longer on stage with Foxygen, after a chaotic performance at the Pitchfork Music Festival in Chicago earlier this month. I guess a little drama isn't a bad thing if you're a young band getting a ton of press these days.
For this evening's show, Foxygen did not fight on stage or bicker with each other. In fact, at the end of the show, Jonathan Rado declared that this was "the best show the band has played." That made me feel good as a fan, but also made me wonder, if this was their best, what was their worst? There was little interplay among the two chief musicians, besides some insipid banter between Sam France and the near-capacity audience on a Sunday evening focusing on talking about Disney songs and topics in between songs. For folks in the way front who were conversing with the musicians, this could have been kind of cute, but for the rest of us it seemed a little awkward and a lot bizarre.
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The jury is still out on Foxygen, as they are a very young band. Like many younger acts who I've seen this year, there is a lot of potential and room for growth. If Foxygen is able to focus their creativity and energy, they have the potential to be a solid throw-back psychedelic rock act. If not, their career may be much shorter lived.
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Grade: B-
All photos courtesy of Gigshots by Stephen Bloch.
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